Rider on the Rain

I declared today a snow day. It’s more a sleet and rain mess, but I needed at-home time. I was channel surfing and caught Shopgirl with Claire Danes and Steve Martin – Martin also wrote the screenplay and novella. Danes is wonderful as the quiet and sad young woman named Mirabelle. Shopgirl is touching and lovingly human; everyone is broken in a forgiving way. A gem. Shopgirl got me thinking of other movies that may or may not be well-known, but don’t get the same amount of play, or buzz, as let’s say. The Shape of Water which I am looking forward to seeing – friends say it’s great. In that vein, Sally Hawkins, who I love, has a lot of gems. From earlier in her career, Happy-Go-Lucky, directed by Mike Leigh, is worth seeing.

This is an unorganized stream of movies that are on my mind but not on everyone’s lips. Watching all the madness in the news, I thought about King of Hearts with Alan Bates. Bates plays a Scottish soldier in France during World War I who finds himself in a French village where all who remain are the residents of the local asylum. Marvelous!

The film that started this thought process is Rider on the Rain. I originally saw it on TCM (air it again, please). It stars Charles Bronson, whose body of work, I would imagine, doesn’t come up on most top ten lists, but he has good ones (e.g.,The Magnificent Seven), and Rider on the Rain is another – at least for me. It’s from 1970 – with fun fashion as a bonus. And, it’s creepy. When I looked it up, I was pleasantly surprised that Rider on the Rain was directed by Rene Clement (Purple Noon, Forbidden Games). I found a Guardian article that described it as a, “cool, stylish, demented Hitchcockian thriller” – yup. Rider on the Rain has all five food groups: a woman in peril (named Melancolie!) , a maniac stalker/rapist, murder, a body dump, and a semi-sadistic hero.

I think I’ll end. Time to curl up and troll for more treasures. All seem content with our at-home day; there’s something baking in the oven, music is on, and the cat – to her delight – has been fed twice. More movies are clamoring in my head – I could always do a Part II – but I would much rather hear about your favorite “unsung” movies.

Delight in Discovering

Clare Irwin

Another Country

The past is a foreign country: they do things differently there,” so begins the opening of L.P. Hartley’s wonderful book The Go-Between. d3d75b8ed2d3b44ee2db94e86d2cd808A friend of mine often quotes this line to me when we start to dwell too long in the past. The season is gradually changing, the official end of summer was four days ago, the nights are chilly. Time is flowing and a number of friends are traveling right now: Spain, Germany, Denmark, Amsterdam, and Sicily — foreign countries. The transitory nature of summer to fall and friends traveling sends me back to my past, my foreign country. Sicily for me is a memory of a time when we did things differently, my family, and so did I. I went to Sicily as a teenager and it was the most enchanting trip of all. Everything was ripe, the season, me, the confluence of sensibilities and the beauty of the place. I fell in love with this magical island. My great-grandmother (more on her in another post) was a remarkable person and exceedingly well traveled. She urged me to go and where to stay.

I landed in Taormina which now is well known, less so then, and I stayed in a hotel that was at the foot of the ancient Greek amphitheater, and had an unobstructed view of the town below and Mount Etna in all her glory. It was a hotel that had been there a long time and had been owned by the same family for generations. It had a 19th Century quality to it — even with the mod cons — and the garden, which was all overgrown and lush and mysterious was a realized vision of a Romantic era poet. When I arrived I was led into my hotel room which faced the garden, the sea, and Etna. I was being shown in by a sweet housemaid, an older lady, who was more than likely born and raised and lived in this impossibly beautiful place her whole life. Even so, when she opened the French doors onto the terrace and all the splendor, and she heard me gasp, she smiled knowingly and said, “Come un sogno” — it’s like a dream. Indeed. I loved that she, who probably did this many times a day for many years, still enjoyed people’s reaction and was so proud of her town.

Goethe spent time in Sicily and wrote some wonderful poems about the island — it certainly seems he was completely taken with it too. I remember the word “bewitching” was an adjective he used. And it was certainly that. Beguiling too. On my trip there, which was quite a long one, I had my official coup de foudre, the lighting bolt of love at first sight. It was wonderful. I think you have to be very young to enjoy that feeling to the bone. You get all tingling and thrilled and every nerve end seems to be vibrating like a tuning fork My young man was tall, handsome, intense, sexy and brooding — all the things that are wildly attractive to young girls. He was marvelous and funny too and I was totally enthralled. I’ve never forgotten him all these years, and I think of him more often than more serious or longer lasting relationships — maybe just because it was that brilliant flash of light.

The day I left he was angry, perhaps the only way to part. We both knew that probably we would never see each other again. Maybe not, we haven’t yet! I wonder if he married, what career he settled on, if he has children, did he stay or move on to a bigger city where there is more advancement. I’ll never know, I suppose. I like to think he stayed, it’s worth staying there. Imagine living in a place that is so beautiful it can bring you to tears? I don’t think he remembers me, I was just another girl passing through, and it doesn’t really matter. I remember him. And, I am grateful to him for being my lighting bolt, and for that foreign country where people do things differently. I can visit, briefly, as an itinerant, stopping for just a moment and then departing. For we all must leave, return to the present, and let the past rest and recede into the fine dust and ash that it is, and that we all one day shall be.

Clare Irwin

 

 

 

 

 

N.b., L.P. Hartley’s novel The Go-Between was a film starring the incomparable Julie Christie, and much missed Alan Bates (pictured above), with the screenplay written by the famous playwright Harold Pinter. The supporting cast is stellar too. Hartley’s other well-known novel The Hireling is also worth reading, and it too was made into a film with Robert Shaw and Sarah Miles who are dark, sexy, neurotic and amazing. Read both, see both. You won’t be disappointed.